Поиск
Барышевский скутер клуб (Scooter club)

Барышевский скутер клуб (Scooter club)

Подписчики: 65 подписчиков
ID: 35797313

Блокировка:

Нет ограничений

Верификация:

Сообщество не верифицировано администрацией ВКонтакте

Видимость

открытое

Популярность:

У сообщества нет огня Прометея

Домен:

club35797313

Описание

любители погонять на скутере все сюда

Частное сообщество.

Частное сообщество

Живописные фактуры, микс медиа панно: школа. Закрытая группа поддержки по онлайн курсу: Живописные фактуры.
Все видео-уроки в данной группе предназначены ТОЛЬКО для личного просмотра в данной закрытой группе. Копировать, делится и сохранять эти видео-уроки или их экранные копии для показа другим зрителям НЕ РАЗРЕШАЕТСЯ! Продажа этих видео-уроков или их экранных копий другим лицам, в том числе покупателям В СКЛАДЧИНУ - это воровство!

Живописные фактуры, микс медиа панно: школа

DJ RIDER IN DA HOUSE!. слушаем и качаем Последние миксы тут:
http://soundcloud.com/dj-rider/dj-rider-guest-house-final
http://soundcloud.com/dj-rider/jazzy-madness
http://rider.pdj.ru/mixes/1026279/Dubs_and_Re_Rubs_Straight_from_the_Clubs.html
Who is DJ Rider?
Just a few years ago he arrived from Europe and immediately took Los Angeles by storm. With his extensive, over six years experience of performing for large audiences in elite clubs of his hometown in Russia, DJ Rider surely knew how to please the entertainment-hungry club goers of this city. His professional DJ-ing career began when he was a university student. Night life and the clubbing scene became a ground where he could combine and showcase his life-long passion for music and his outgoing personality. When he was younger, he remembers always taking over the CD player at parties, or in cars when riding with friends, always playing with tracks, even before he knew what he was doing. When a friend offered to show him how to DJ, it evolved into a serious commitment. From now on, all he could think of, aside from studying, was spinning the music. Soon he was offered a permanent DJ residency at the “Fruit”, the city’s most elite night club at that time. Introducing the newest, hottest international tracks he attracted huge crowds, brought up the club’s revenues and became somewhat of a local celebrity himself. And in a city populated by 1.5 million people this was no small thing. Private event bookings lined up.
Still remaining as ambitious as ever, DJ Rider was looking beyond the horizon. Never stopping at current achievements, he packed up and came here to the States to explore the possibilities and to better himself and his music.
As everybody here knows all too well, LA club scene is dominated by hip hop, and though the genre is popular, sometimes too much of a good thing is just that – too much. So the fresh beats of DJ Rider’s European and American electro-house, tech-house and progressive house were an anticipated and welcome relief. As a resident DJ for the LA Reunion Parties (Key Club, Ivar, Cinespace, Cabana, Sugar) and a frequent guest star at Playhouse, Medusa, Seven-Forty, The Arena, Element, Memphis, as well as countless upscale private parties, he earned popularity among widely varied crowds, proving to be a true entertainer at heart. It is no wonder that he immediately attracted a devoted following - party people who would watch his movements, through social media websites or other means, and attend DJ Rider’s parties as if they were rock concerts. For that he thanks his fans repeatedly with on the house downloads of his new mixes on his website.

DJ RIDER IN DA HOUSE!

Christ vs. Warhol. All is not well in Los Angeles: beyond the perfectly manicured lawns and pre-fab buildings, between the corporate media hype and pharmaceutical ads, behind the plastic surgery and spray-on tans, a sense of unrest grows, festering just beneath the surface, threatening to tip the delicate balance of artifice and apathy off it's axis and send the entire facade crashing into a well-deserved oblivion. It is this climate that birthed Christ vs. Warhol -- art school sedition with guitars instead of guns.
Fronted by agitprop siren eveghost (ex-Scarlet’s Remains and Purnama), Christ vs. Warhol is colored by the frenetic, swirling guitars of Steven James (ex-All Gone Dead and Scarlet's Remains/currently of The Deadfly Ensemble and Faith And The Muse), driven by the eclectic, angular basslines of Marzia Rangel (ex-Kastle Grey Skull and Scarlet's Remains/currently of The Deadfly Ensemble and Faith And The Muse), and held in place by the thundering drums of Geoff Bruce (ex-Sunshine Blind and Faith And The Muse/currently of Anima Mundi).
Dissent, the band's 2010 debut album, blends post-punk sensibilities with anarchic fervor, with lyrics ranging from the fiercely political to the delicately personal, all delivered with Christ vs. Warhol's trademark hooks and vicious energy. Recorded and mixed by the seminal William Faith (Faith And The Muse) at his Zone 0 studio in Los Angeles, Dissent is destined to bring Christ vs. Warhol's distinct, dynamic style and unique sonic aesthetic to the frontlines in a world that needs a wake-up call...

Christ vs. Warhol

Магия Микс-медиа.

Магия Микс-медиа